Renowned for turntablism and bottom-heavy beats, Krafty Kuts has built a reputation as one of the most consistent forces in bass music. From early releases with Ministry of Sound, Fabric and Finger Lickin’ to the foundation of his own Against The Grain label, and as founder of Brighton’s Supercharged, his career reads like a long-form study in British bass music culture.

A selector as much as a technician, he digs deep and blurs the lines between genres with intent. His DJ sets are a genuine journey: one minute Santana, the next Sami Virji. It’s a never-ending drive to keep breaking boundaries.

Now, with his forthcoming album, Krafty Kuts pushes his music production further. This isn’t an album that blends genres—it destabilises them. Pulling from UKG, breaks, bassline and flashes of jazz, Turbulence twists familiar forms into something harder to pin down. The beats are fractured, the low-end rumbling, the energy unpredictable by design.